Posts Tagged ‘Julian Assange’

Julian Assange Letter to Actor Who Plays Him In a Movie

“Those who lack the wisdom to unite in the face of a common enemy always end up being conquered.”
~ Proterrian

However you feel about Julian Assange, this is a powerful letter that asks questions of each of us — how do and how will our actions affect others, including the greater population of the world? How might the ways we portray others undermine the potential freedoms of an awakening population? Assange is respectful, but firm in his assessment of how each person’s choices and responsibilities have ripple effects beyond those they may initially consider. In this case, he explains: “Feature films are the most powerful and insidious shapers of public perception, because they fly under the radar of conscious exclusion. … This film is going to bury good people doing good work, at exactly the time that the state is coming down on their heads.”

A well-crafted letter with layers of questions we might each do well to ask ourselves, this is an excellent example of what I call “speaking the truth in love.” As Jessamyn West put it: “A religious [or spiritual] awakening which does not awaken the sleeper to love has roused him in vain.” I am heartened whenever I see compassion, respect and acknowledgment of the gray areas and onion layers of consciousness, because it’s not all black and white. Thank you, Julian, for modeling boundaries, respect and love for all of humanity.

Julian-Assange-and-Benedict-Cumberbatch1

Above: Julian Assange and Benedict Cumberbatch

Julian Assange’s letter to Benedict Cumberbatch

On October 9th WikiLeaks published the first letter from Julian Assange to Benedict Cumberbatch regarding “The Fifth Estate”, a Dreamworks movie about WikiLeaks set to open in the UK on Friday 11 Oct, and in the US on Friday 18 Oct. The press release about this letter is here. The letter was sent to Benedict Cumberbatch after he made overtures to contact Julian Assange in January this year, immediately before principal photography commenced.

Date: Tue, 15 Jan 2013
From: Julian Assange
To: Benedict Cumberbatch
Subject: Message from Assange

Dear Benedict,

Thank you for trying to contact me. It is the first approach by anyone from the Dreamworks production to me or WikiLeaks.

My assistants communicated your request to me, and I have given it a lot of thought and examined your previous work, which I am fond of.

I think I would enjoy meeting you.

The bond that develops between an actor and a living subject is significant.

If the film reaches distribution we will forever be correlated in the public imagination. Our paths will be forever entwined. Each of us will be granted standing to comment on the other for many years to come and others will compare our characters and trajectories.

But I must speak directly.

I hope that you will take such directness as a mark of respect, and not as an unkindness.

I believe you are a good person, but I do not believe that this film is a good film.

I do not believe it is going to be positive for me or the people I care about.

I believe that it is going to be overwhelmingly negative for me and the people I care about.

It is based on a deceitful book by someone who has a vendetta against me and my organisation.

In other circumstances this vendetta may have gone away, but our conflict with the United States government and the establishment press has created a patronage and commissioning market – powerful, if unpopular – for works and comments that are harmful to us.

There are dozens of positive books about WikiLeaks, but Dreamworks decided to base its script only on the most toxic. So toxic is the first book selected by Dreamworks that it is distributed to US military bases as a mechanism to discourage military personnel from communicating with us. Its author is publicly known to be involved in the Dreamworks production in an ongoing capacity.

Dreamworks’ second rights purchase is the next most toxic, biased book. Published and written by people we have had a bitter contractual dispute with for years, whose hostility is well known. Neither of these two books were the first to be published and there are many independent authors who have written positive or neutral books, all of whom Dreamworks ignored.

Dreamworks has based its entire production on the two most discredited books on the market.

I know the film intends to depict me and my work in a negative light.

I believe it will distort events and subtract from public understanding.

It does not seek to simplify, clarify or distil the truth, but rather it seeks to bury it.

It will resurrect and amplify defamatory stories which were long ago shown
to be false.

My organisation and I are the targets of political adversary from the United States government and its closest allies.

The United States government has engaged almost every instrument of its justice and intelligence system to pursue—in its own words—a ‘whole of government’ investigation of ‘unprecedented scale and nature’ into WikiLeaks under draconian espionage laws. Our alleged sources are facing their entire lives in the US prison system. Two are already in it. Another one is detained in Sweden.

Feature films are the most powerful and insidious shapers of public perception, because they fly under the radar of conscious exclusion.

This film is going to bury good people doing good work, at exactly the time that the state is coming down on their heads.

It is going to smother the truthful version of events, at a time when the truth is most in demand.

As justification it will claim to be fiction, but it is not fiction. It is distorted truth about living people doing battle with titanic opponents. It is a work of political opportunism, influence, revenge and, above all, cowardice.

It seeks to ride on the back of our work, our reputation and our struggles.

It seeks to cut our strength with weakness. To cut affection with exploitation. To cut diligence with paranoia. To cut loyalty with naivety. To cut principle with hypocrisy. And above all, to cut the truth with lies.

The film’s many distortions buttress what the prosecution will argue. Has argued. Is arguing. In my case, and in that of others. These cases will continue for years.

The studio that is producing the film is not a vulnerable or weak party.

Dreamworks’ free speech rights are not in jeopardy – ours are.

Dreamworks is an extremely wealthy organisation, with ties to powerful interests in the US government.

I must therefore question the choices and motives behind it: the opportunism, fears and mundanity; the unwritten rules of film financing and distribution in the United States; the cringe against doing something useful and brave.

I believe that you are a decent person, who would not naturally wish to harm good people in dire situations.

You will be used, as a hired gun, to assume the appearance of the truth in order to assassinate it. To present me as someone morally compromised and to place me in a falsified history. To create a work, not of fiction, but of debased truth.

Not because you want to, of course you don’t, but because, in the end, you are a jobbing actor who gets paid to follow the script, no matter how debauched.

Your skills play into the hands of people who are out to remove me and WikiLeaks from the world.

I believe that you should reconsider your involvement in this enterprise.

Consider the consequences of your cooperation with a project that vilifies and marginalises a living political refugee to the benefit of an entrenched, corrupt and dangerous state.

Consider the consequences to people who may fall into harm because of this film.

Many will fight against history being blackwashed in this way. It is a collective history now, involving millions of people, because millions have opened their eyes as a result of our work and the attempts to destroy us.

I believe you are well intentioned but surely you can see why it is a bad idea for me to meet with you.

By meeting with you, I would validate this wretched film, and endorse the talented, but debauched, performance that the script will force you to give.

I cannot permit this film any claim to authenticity or truthfulness. In its current form it has neither, and doing so would only further aid the campaign against me.

It is contrary to my interests, and to those of my organisation, and I thank you for your offer, and what I am sure is your genuine intent, but I must, with inexpressible regret, turn it down.

Julian Assange

Read the press release about this letter HERE

Read the Wikileaks Memo Highlighting Inaccuracies in the film HERE.

View an advance version of the Fifth Estate Script HERE

Link to video: The Fifth Estate trailer: watch Benedict Cumberbatch as Julian Assange in the Wikileaks thriller

Assange Statement on the First Day of Manning Trial

This is seriously one of the most important trials of our time. Please don’t close your eyes to this one. We need Prayer, Reiki, Truth, Courage, potent Intention, and some kind of Divine Intervention to turn around this blood-dimmed tide. Perhaps it’s time for the Morrigan –Goddess of Sovereignty, Goddess of the Land and a kiss a$$ battle Goddess — to protect her true warriors. Truth Warriors. Julian Assange of Wikileaks enters his statement into the public domain:

Assange Statement on the First Day of Manning Trial
Monday 3rd June 2013, 22:00 GMT

Statement by Julian Assange

As I type these lines, on June 3, 2013, Private First Class Bradley Edward Manning is being tried in a sequestered room at Fort Meade, Maryland, for the alleged crime of telling the truth. The court martial of the most prominent political prisoner in modern US history has now, finally, begun.

It has been three years. Bradley Manning, then 22 years old, was arrested in Baghdad on May 26, 2010. He was shipped to Kuwait, placed into a cage, and kept in the sweltering heat of Camp Arifjan.

“For me, I stopped keeping track,” he told the court last November. “I didn’t know whether night was day or day was night. And my world became very, very small. It became these cages… I remember thinking I’m going to die.”

After protests from his lawyers, Bradley Manning was then transferred to a brig at a US Marine Corps Base in Quantico, VA, where – infamously – he was subjected to cruel, inhuman and degrading treatment at the hands of his captors – a formal finding by the UN. Isolated in a tiny cell for twenty-three out of twenty-four hours a day, he was deprived of his glasses, sleep, blankets and clothes, and prevented from exercising. All of this – it has been determined by a military judge – “punished” him before he had even stood trial.

“Brad’s treatment at Quantico will forever be etched, I believe, in our nation’s history, as a disgraceful moment in time” said his lawyer, David Coombs. “Not only was it stupid and counterproductive, it was criminal.”

The United States was, in theory, a nation of laws. But it is no longer a nation of laws for Bradley Manning.

When the abuse of Bradley Manning became a scandal reaching all the way to the President of the United States and Hillary Clinton’s spokesman resigned to register his dissent over Mr. Manning’s treatment, an attempt was made to make the problem less visible. Bradley Manning was transferred to the Midwest Joint Regional Correctional Facility at Fort Leavenworth, Kansas.

He has waited in prison for three years for a trial – 986 days longer than the legal maximum – because for three years the prosecution has dragged its feet and obstructed the court, denied the defense access to evidence and abused official secrecy. This is simply illegal – all defendants are constitutionally entitled to a speedy trial – but the transgression has been acknowledged and then overlooked.

Against all of this, it would be tempting to look on the eventual commencement of his trial as a mercy. But that is hard to do.

We no longer need to comprehend the “Kafkaesque” through the lens of fiction or allegory. It has left the pages and lives among us, stalking our best and brightest. It is fair to call what is happening to Bradley Manning a “show trial”. Those invested in what is called the “US military justice system” feel obliged to defend what is going on, but the rest of us are free to describe this travesty for what it is. No serious commentator has any confidence in a benign outcome. The pretrial hearings have comprehensively eliminated any meaningful uncertainty, inflicting pre-emptive bans on every defense argument that had any chance of success.

Bradley Manning may not give evidence as to his stated intent (exposing war crimes and their context), nor may he present any witness or document that shows that no harm resulted from his actions. Imagine you were put on trial for murder. In Bradley Manning’s court, you would be banned from showing that it was a matter of self-defence, because any argument or evidence as to intent is banned. You would not be able to show that the ’victim’ is, in fact, still alive, because that would be evidence as to the lack of harm.

But of course. Did you forget whose show it is?

The government has prepared for a good show. The trial is to proceed for twelve straight weeks: a fully choreographed extravaganza, with a 141-strong cast of prosecution witnesses. The defense was denied permission to call all but a handful of witnesses. Three weeks ago, in closed session, the court actually held a rehearsal. Even experts on military law have called this unprecedented.

Bradley Manning’s conviction is already written into the script. The commander-in-chief of the United States Armed Forces, Barack Obama, spoiled the plot for all of us when he pronounced Bradley Manning guilty two years ago. “He broke the law,” President Obama stated, when asked on camera at a fundraiser about his position on Mr. Manning. In a civilized society, such a prejudicial statement alone would have resulted in a mistrial.

To convict Bradley Manning, it will be necessary for the US government to conceal crucial parts of his trial. Key portions of the trial are to be conducted in secrecy: 24 prosecution witnesses will give secret testimony in closed session, permitting the judge to claim that secret evidence justifies her decision. But closed justice is no justice at all.

What cannot be shrouded in secrecy will be hidden through obfuscation. The remote situation of the courtroom, the arbitrary and discretionary restrictions on access for journalists, and the deliberate complexity and scale of the case are all designed to drive fact-hungry reporters into the arms of official military PR men, who mill around the Fort Meade press room like over-eager sales assistants. The management of Bradley Manning’s case will not stop at the limits of the courtroom. It has already been revealed that the Pentagon is closely monitoring press coverage and social media discussions on the case.

This is not justice; never could this be justice. The verdict was ordained long ago. Its function is not to determine questions such as guilt or innocence, or truth or falsehood. It is a public relations exercise, designed to provide the government with an alibi for posterity. It is a show of wasteful vengeance; a theatrical warning to people of conscience.

The alleged act in respect of which Bradley Manning is charged is an act of great conscience – the single most important disclosure of subjugated history, ever. There is not a political system anywhere on the earth that has not seen light as a result. In court, in February, Bradley Manning said that he wanted to expose injustice, and to provoke worldwide debate and reform. Bradley Manning is accused of being a whistleblower, a good man, who cared for others and who followed higher orders. Bradley Manning is effectively accused of conspiracy to commit journalism.

But this is not the language the prosecution uses. The most serious charge against Bradley Manning is that he “aided the enemy” – a capital offence that should require the greatest gravity, but here the US government laughs at the world, to breathe life into a phantom. The government argues that Bradley Manning communicated with a media organisation, WikiLeaks, who communicated to the public. It also argues that al-Qaeda (who else) is a member of the public. Hence, it argues that Bradley Manning communicated “indirectly” with al-Qaeda, a formally declared US “enemy”, and therefore that Bradley Manning communicated with “the enemy”.

But what about “aiding” in that most serious charge, “aiding the enemy”? Don’t forget that this is a show trial. The court has banned any evidence of intent. The court has banned any evidence of the outcome, the lack of harm, the lack of any victim. It has ruled that the government doesn’t need to show that any “aiding” occurred and the prosecution doesn’t claim it did. The judge has stated that it is enough for the prosecution to show that al-Qaeda, like the rest of the world, reads WikiLeaks.

“Liberty cannot be preserved without a general knowledge among the people,” wrote John Adams, “who have a right and a desire to know.”

When communicating with the press is “aiding the enemy” it is the “general knowledge among the people” itself which has become criminal. Just as Bradley Manning is condemned, so too is that spirit of liberty in which America was founded.

In the end it is not Bradley Manning who is on trial. His trial ended long ago. The defendent now, and for the next 12 weeks, is the United States. A runaway military, whose misdeeds have been laid bare, and a secretive government at war with the public. They sit in the docks. We are called to serve as jurists. We must not turn away.

Free Bradley Manning.

No copyright has been asserted for this document. Julian Assange has entered it into the public domain.